Bossip: We’re glad you brought up R. Kelly. You know I think everyone is always kind of curious where your relationship with him stands. I know he’s had his up and downs with a lot of other folks. Are you still working together? What kind of growth do you see in him?
KP: We had the most interesting conversations prior to him releasing “When A Woman Loves.” I was with Rob in Chicago, at the house and we still have a very very close relationship and it’s funny people ask me that because it’s not the kind of relationship where you’re going to see us together in public running all over the place, it’s really not that. I come to Chicago, I come hang out at the house, we sit, we talk, we’ll write, we’ll record music, I’ll cook, he’ll eat. Like, literally he’s like my brother. Even with his woes, I can have a conversation with him that many people can’t have. And sometimes it’s a stiff one, sometimes it’s a not so stiff one, it’s more playful, but I think everybody needs those relationships in their life. And we literally evolved from the first time that I met him, to coming in to work with him as a background singer and a writer to now we sit and are at a level playing field in that I can say things to him that he may not hear from somebody else. And vice versa. When it was time for him to put out this new record — cuz he’s another one that writes all the time, hundreds and hundreds….he has completed albums that are just done and he said to me “ I have this music and I’m thinking about just putting out this record that just more old school than anything.” And our conversation just went kind of like this with each other. We all know what you’re capable of, we all know that you can do everything that everybody else is doing right now musically, but why not do what you do; the stuff that nobody else can do. I think that he’s one of the few people that are blessed where it doesn’t matter what trends come along with music. We know he can follow the trends. But he also has that very special thing that he can go back and pull out the old stuff. And everybody is not capable of doing that and he did that with this record. He played me the whole album before “When A Woman Loves” even went to radio and I gave him the thumbs up. I played my entire album for him that night and he looked at me and said “I’m mad because you finished it before you got to me. You were supposed to come to Chicago and we were supposed to do something together.” I said we’ll find a spot for you because I can’t put this record out without you. And he told me “You don’t need anything else. Don’t mess with it.” So he digressed and said “Don’t mess with the formula. You have what you need. As bad as I want to be on it, you have what you need.” And that was good for me.
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